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Jean Marc Nattier The Marquise de Vintimille as Aurora oil painting


The Marquise de Vintimille as Aurora
Painting ID::  80852
Jean Marc Nattier
The Marquise de Vintimille as Aurora
1741(1741) Medium Oil on canvas Dimensions 146.1 x 114.3 cm (57.5 x 45 in) cyf

   
   
     

Jean Marc Nattier Victoire Louise Marie Therese de France oil painting


Victoire Louise Marie Therese de France
Painting ID::  80871
Jean Marc Nattier
Victoire Louise Marie Therese de France
1748(1748) Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cyf

   
   
     

Jean Marc Nattier Portrait de Christian Louis de Montmorency oil painting


Portrait de Christian Louis de Montmorency
Painting ID::  81019
Jean Marc Nattier
Portrait de Christian Louis de Montmorency
Date 18th century Medium Oil cyf

   
   
     

Jean Marc Nattier Portrait of Peter I of Russia oil painting


Portrait of Peter I of Russia
Painting ID::  81021
Jean Marc Nattier
Portrait of Peter I of Russia
1710(1710) Medium Oil cyf

   
   
     

Jean Marc Nattier Madame Victoire of France oil painting


Madame Victoire of France
Painting ID::  81044
Jean Marc Nattier
Madame Victoire of France
1748(1748) Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cyf

   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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     | Abraham Wuchters | AMMANATI, Bartolomeo | Daniel Chester French |


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